The present article intends to study the theoretical and methodological principles of the FORMALISTIC CRITICISM of poetry on the basis of the Russian formalists and American formalists or "new critics" views. For this aim, our approach has been the analytical-critical approach. Finally, this article organizes the method of "gravitational CRITICISM of poetry" by the creation of profitable contact between theoretical and practical achievements of the two branches of formalism. This method analyses all of the form elements of poetry, not as "connective CRITICISM of poetry" by way of the horizontal-vertical, but according to the systematic and structured nature of this literary genre by way of the polyhedral-hierarchical mathod in relation to its "fundamental technique".

The basis of CRITICISM in the arts with any reading is attributed to the from of the artwork. Form is the principal and basis which gives birth to an artwork and reveals it.It is on basis of shape, form and structure of any artwork that an artist his/her talent and creative devices and by inventional imagination creates it. Art creation happens to come out in the form shape and beauty is the uncovered and undamental figure which appears in artwork.It is possible to have any critics and interpretations of an artwork through the objects composition and form which is called artwork meaning or concept of artwork, understanding and decoding the core idea of the author, the text antecedent (words chain, shape and color, motion land sounds) to psychological and sociological, historical and mythical fields through the artwork form (shape) and its formality. form is the contact point of an artist and interlocutors and vice versa.If an artwork is taken as an independent object on an artist and interpreted in the historical horizons frequently then what makes any interpretation possible finally is the art form; the­ essence of which is the beauty of expression. Questioning an artwork may /be done in different aspect such as what does it mean? What has been the intention of its creator? What does the work mean in the present time? How an artwork can convey past historic horizons to the modern era?Any answer to such questions depends on precise and original information of the artwork form and composition critics analysis.

The new theory of CRITICISM calling into question the traditional mode that had governed the literary analyses during several centuries, tries to challenge the truth that this one pretends In explore. To encourage In reconsidering the meaning of Truth and introducing it as a subject out of the Traditional CRITICISM function or any other one, is the philosophy that confronts the New CRITICISM with its old and strong rival. Accepting the principle of "impossibility of reaching the Truth", the new critic presents his literary interpretation from his own point of view. So he looks for coherence in text that can justify his subjective interpretation from one of the linguistical, psychoanalytical, anthropological. theories. In this article, studying the principles of Traditional and New CRITICISM, we would compare their functions in the literature. Referring In the famous critics' theories, we will verify the New CRITICISM opinions and the horizon that this theory opens to the literature by commanding a free reading.

The present study is an attempt to investigate the first sermon of NahjulBalagheh in the light of the FORMALISTIC CRITICISM. It deals with the issue that the religious meaning and content of the creation sermon should be considered as a foundation, and how much the form and integration have been regarded, and to what amount the literary text has been observed by the author. Ignoring the non-textual questions like the personality and position of the author, social, historical and psychological issues that have no place in FORMALISTIC CRITICISM, the writers concentrate only on the text and try to discover the beauties of the mentioned sermon according to the principles of this CRITICISM. Regardless of its content and meaning, the text is entirely integrated and the words, terms, phrases and sentences are in a great harmony, making a wonderful arrangement. Using metaphors and figurative language, concentrating on inspiring sounds, observing the phonetic, syntactic and morphological balance, applying different kinds of literary defamiliarisation, making relation with other texts, all causes the text to own a magnificent superstructure and infrastructure. This leads to the conclusion that the beauty and poetry of the text are not sacrificed for the content and the meaning; rather, they help one another and the language is as important as the content.

The CRITICISM and interpretation of Hadith is rooted in the Islamic teachings; especially in the domain of both Imams' and other prominent Islamic infallible figures. Quran and the tradition demand hearing the quotes and also paying close attention to them. This is fulfilled merely through the survey of speeches of famous Islamic figures. Although the CRITICISM and interpretation of the text and the original documents of these Hadith is required for any researcher, still considering the fields of theoretical and practical CRITICISM and their related criteria is required as well. This is true regardless of whether these criteria are literary, quoted, or even rational ones. All these can make the practice of CRITICISM much easier.The criteria and touchstones of quoting the Hadith are related to both the validity of Hadith's originality and its text. Sciences such as Derayeh (intelligence) and Rejal (aspiration) were responsible for the practice of CRITICISM. In the CRITICISM of the Hadith's text, relying on these four criteria is necessary and demanded; the literary, quoted, sensational and also the rational. That also depends on the context with which the researcher deals with. Some experts have also added another criterion to these; that is the criteria related to the definite sciences.

FORMALISTIC CRITICISM is an approach which was in progress in Russia in 1915 - 1930. This field of literary CRITICISM study literature from the point of view of linguistics. In this approach, a literary work is considered to be a linguistical subject. The from and shape of literary work is the base for aesthetic analysis and the only way for reaching to the hidden meanings. Some theorists of this approach are Roman Jakobson Boris Aknolem and Victor skolofsky. They were association members of linguistics at that time. The purpose of this research is to study three lyrics of Sanaee based on this approach with emphasis on Grammont and Jakobson opinions. The results show that by using a forma listic approach the hidden meanings of a literary work is accessible without knowing the structure of the society, historical issues or even the psycholigical charater of the writer.

EXTERNAL root resorptionmay be an uncontrolled phenomenon, and themost known interventions have no effect. Even progressive EXTERNAL root resorption may not be controlled by long term Ca(OH)2 therapy. Currently, there are no treatment options for vital tooth that suffer from root resorption. This invasive resorption can lead to extraction of the tooth. The use of new technologies such as low power laser may control this type of resorption.

Ophthalmomyiasis is pathology of eye due to presence of fly larva, which rarely occurs in the world, and most cases has been reported in developing countries. These days incidence of Ophthalmomyiasis has been decreased in Iran. Most cases of Ophthalmomyiasis caused by presence of fly Larvae Oestrus Ovis.In summer 2011, a fourty year old rural woman with a good hygine presented to Ophthalmology department of Rouhani Hospital. She had no background of any disease.After physical examination EXTERNAL Ophthalmomyiasis was diagnosed. all seven larva has been removed, Topical antibiotic and corticosteroid were prescribed for daily use. Two days later in follow up the eye was asymptomatic.

1. Introduction: Different perspectives on literary CRITICISM have not been in the right place because of lack of approach. Eventually, these perspectives have been classified with other collections. The idea of fundamentalism came from religious movement of Protestantism. It formed different theories such as reader based critique, the subjective reader CRITICISM, sociological literary CRITICISM, and feminist CRITICISM. In Iran, fundamentalism exists effectively and relies on the value of the literary work. In this cross-sectional study we want to view and critique fundamentalism in Europe. We discuss the perspectives of Arnold and Elliot in Europe and Ahmad Kasravi, Ehsan Tabari and Fatemhe Sayyah in Iran. The results of this study indicate that critical fundamentalism is a form of CRITICISM. The methods of this critique are collapse or debunk of literary texts so that we can change them into political or religious ideological contents. This method can be shown in different genres. . . .

Introduction: We compared the best technique for arterial anastomosis in kidney transplantation, end-to-side anastomosis to the EXTERNAL iliac artery or end-to-end anastomosis to the internal iliac artery.Materials and Methods: A total of 38 patients with end-stage renal disease who received a kidney transplant from a deceased donor were randomized into two groups in order to undergo either end-to-end anastomosis to the internal iliac artery or end-to-side anastomosis to the EXTERNAL iliac artery. Length of arterial anastomosis, cold ischemia time, hospital stay, serum creatinine level, recovery of urinary output, and surgical and clinical complications during hospitalization were evaluated. After 3 years, in the patients with a functioning allograft, creatinine clearance measure, Doppler ultrasonographic study, survival, graft loss, and erectile function were compared between the two groups.Results: Postoperative analyses showed similar recovery of urinary output (P = .39) and creatinine (P = .95) between the two groups. No differences in clinical (P = .55) and surgical (P = .80) complications or in hospital stay (P = .90) were noted. The 3-year follow-up demonstrated no differences in Doppler ultrasonography results, creatinine clearance (P = .80), patient survival (P = .22), and graft loss (P = .72). Erectile dysfunction was similar, being related only to pre-operative medical history and age. Conclusion: Both techniques showed similar results in short- and long-term follow-ups. Larger prospective studies are warranted to clarify the risk of renal artery stenosis and development of erectile dysfunction.